Sunday 9 September 2018



WHERE WAS DRACULA WRITTEN?
Cruden Bay


Where was Dracula written? OK, so let’s frame this question a bit more exactly: Where was the final version of Dracula written (but not counting the long planning phase as part of the writing process)? That’s because Bram Stoker started planning the novel from at least 1890 but didn’t get going on the actual writing until 1894 or 1895. The answer is that much of the final version of the book, possibly all of it, was written in the village of Cruden Bay on the north-east coast of Scotland. 
Kilmarnock Arms Hotel, Cruden Bay. 


According to the biography by Harry Ludlam, the book came to life in August 1895 on Bram Stoker’s third visit to Cruden Bay: ‘And here one day, to the sound of the sea on the Scottish shore, Count Dracula made his entry.’ That and: ‘Jonathan Harker's alarming experiences in the Castle Dracula, comprising the first chapters of the book, were written at Cruden Bay.’ His source was Noel Stoker. In 1895 the Stokers stayed at the Kilmarnock Arms Hotel in Cruden Bay where they signed the guest book. Noel was 15 years old at the time. 
Bram, Florence and Noel's signatures in the Kilmarnock Arms Hotel guest book, 1895. 


There is a discrepancy between Ludlam’s account and Bram Stoker’s version of events. Interviewed in June 1897 shortly after Dracula came out Bram mentioned that, ‘he had spent about three years in writing it.’ On this basis the writing started in 1894.

What’s going on here? I don’t know but here’s some speculation. Research is under way on an alternative draft of Dracula which was serialised in Sweden (and an Icelandic spin-off looks to be based on this). It’s been suggested by experts that this could be an earlier draft of the book. If so, the version we read today may have been a rewrite which Bram Stoker started working on in 1895. We may know more before long.

When Bram was in Cruden Bay, he probably wrote the book in several locations around the village. He was known to take an early morning walk across Cruden Bay beach every day. The journalist Gordon Casely, who came to Cruden Bay in the 1960s to interview villagers that knew the author, told me that Bram’s gait was described as distinctive. He walked with his hands behind his back and his head slightly stooped as if he was deep in thought. 
Cruden Bay beach


According to his wife Florence, when he was writing Dracula he took to the beach more than usual, often spending hours perched like a giant bat on the rocks of the shore – probably the Sand Craig at the southern end of the beach. He also wrote Dracula sitting up in bed in his hotel room as he once told a reporter.

Bram returned to Aberdeenshire in 1896 to complete Dracula. He had recently returned from a long tour in the United States with the Lyceum Theatre Company; he held a full-time job as the business manager for the company.  He started his trip by touring the north coast of Aberdeenshire and Banffshire. He was definitely present in the village of Gardenstown and the town of Banff because letters from his boss Henry Irving reached him there. Unfortunately there is as yet no direct evidence to place him in Cruden Bay in 1896 although he was probably there. The relevant pages from the hotel guest book are missing for the summer of 1896.

I suspect that 1896 was the year that he moved out of the Kilmarnock Arms Hotel to what would become his main base in years to come. This was Hilton Cottage, about two hundred yards up the road from the hotel and which was run as an annexe for hotel visitors. A favourite spot was a grassy strip of lawn at the front of the cottage with a spectacular view over the village and towards the sea. There are several reports that he was seen writing here: Gordon Casely interviewed one woman who was watching Bram hard at work when a gust of wind blew the papers of the table. She helped him to pick them up. 
Cruden Bay - Hilton Cottage is on the skyline to the right of the house with red roof. 


Cruden Bay was Bram Stoker’s special place; the place he came to write many of his books. One book in particular will be forever associated with the village – Dracula.

My book about how Dracula was written in Scotland - When Brave Men Shudder (Wild Wolf Publishing) will be available in bookshops and online from the end of November 2018.

Sunday 1 October 2017

BRAM STOKER'S GHOST STORY SET IN WHINNYFOLD.


Whinnyfold

Bram Stoker wrote a second book based in the Cruden Bay area. The Mystery of the Sea was published in 1902 and in my opinion is his best book after Dracula. It is a mystery story involving a search for Spanish treasure, an adventure story involving a gang of kidnappers and an American heiress, a love story and above all it expounds the author's mystical view of the universe - all tied up with Cruden Bay.


The following is a very long excerpt from Chapter Five. It's a ghost story with a setting in and around Whinnyfold. The places mentioned in the story are real and I've illustrated them with photos. Enjoy!

The Kilmarnock Arms hotel, Cruden Bay.

"It was eleven o’clock by my watch when I left the Kilmarnock Arms and took my way across the sandhills, heading for the Hawklaw which stood out boldly in the brilliant moonlight. I followed the devious sheep track amongst the dunes covered with wet bent-grass, every now and again stumbling amongst the rabbit burrows which in those days honeycombed the sandhills of Cruden Bay. At last I came to the Hawklaw, and, climbing the steep terraced edge near the sea, sat on the top to breathe myself after the climb.

The scene was one of exquisite beauty. Its natural loveliness was enhanced by the softness of the full yellow moonlight which seemed to flood the heavens and the earth alike. To the southeast the bleak promontory of Whinnyfold stood out stark and black as velvet and the rocks of the Skares were like black dots in the quivering sea of gold. I arose and went on my way. The tide was far out and as I stumbled along the rude path above the waste of boulders I had a feeling that I should be late. I hurried on, crossed the little rill which usually only trickled down beside the fishers’ zigzag path at the back of Whinnyfold but which was now a rushing stream—again the noise of falling water, the voice of the Lammas floods—and took the cart track which ran hard by the cliff down to the point which looked direct upon the Skares.

The Skares

 When I reached the very edge of the cliff, where the long sea-grass and the deep clover felt underfoot like a luxurious carpet, I was not surprised to see Gormala seated, looking out seawards. The broad track of the moon lay right across the outmost rock of the Skares and falling across some of the jagged rocks, which seemed like fangs rising from the deep water as the heave of the waveless sea fell back and the white water streamed down, came up to where we stood and seemed to bathe both the Seer-woman and myself in light. There was no current anywhere, but only the silent rise and fall of the water in the everlasting movement of the sea. When she heard me behind her Gormala turned round, and the patient calmness of her face disappeared. She rose quickly, and as she did so pointed to a small boat which sailing up from the south was now drawing opposite to us and appeared to be making a course as close to shore as possible, just clearing the outer bulwark of the Skares.

“Look!” she said, “Lauchlane Macleod comes by his lanes. The rocks are around him, and his 
doom is at hand!”
 There did not appear any danger in such a course; the wind was gentle, the tide was at the still moment between ebb and flow, and the smoothness of the water beyond the rock seemed to mark its great depth. All at once the boat seemed to stand still,—we were too far off to hear a sound even on such a still night. The mast bent forward and broke short off, the sails hung limp in the water with the peak of the lug sail sticking up in a great triangle, like the fin of a mammoth shark. A few seconds after, a dark speck moved on the water which became agitated around it; it was evident that a swimmer was making for the land. I would have gone to help him had it been of use; but it was not, the outer rock was half a mile away. Indeed, though I knew it was no use, I was yet about to swim to meet him when Gormala’s voice behind me arrested me:
 “Do ye no see that gin ye meet him amid yon rocks, ye can, when the tide begins to race, be no help to any. If he can win through, ye may help him if ye bide here.”
 The advice was good and I stayed my feet. The swimmer evidently knew the danger, for he hurried frantically to win some point of safety before the tide should turn. But the rocks of the Skares are deadly steep; they rise from the water sheer everywhere, and to climb them from the sea is a hopeless task. Once and again the swimmer tried to find a chink or cranny where he could climb; but each time he tried to raise himself he fell back into the water. Moreover I could see that he was wounded, for his left hand hung idle. He seemed to realise the hopelessness of the task, and turning, made desperately for the part where we stood. He was now within the most dangerous spot in the whole region of the Skares. The water is of great depth everywhere and the needlepoints of rocks rise almost to the very surface. It is only when the waves are rough at low water that they can be seen at all, when the dip of the waves leaves them bare; but from the surface in calm weather they cannot be seen as the swirl of the tide around them is invisible. Here, too, the tide, rounding the point and having the current broken by the masses of the great rock, rolls with inconceivable rapidity. I had too often watched from the headland where my home was to be the set of the tide not to know the danger. I shouted as loudly as I could, but for some reason he did not hear me.

A sailing ship passing the Skares

The moments ere the tide should turn seemed like ages; and yet it was with a sudden shock that I heard the gurgle of moving water followed by the lap, lap, lap, getting quicker each second. Somewhere inland a clock struck twelve. The tide had turned and was beginning to flow. In a few seconds the swimmer felt its effects, though he did not seem to notice them. Then he was swept towards the north. All at once there was a muffled cry which seemed to reach slowly to where we stood, and the swimmer rolled over for an instant. It was only too apparent what had happened; he had struck his arm against one of the sunken rocks and injured it. Then he commenced a mad struggle for life, swimming without either arm in that deadly current which grew faster and faster every moment. He was breathless, and now and again his head dipped; but he kept on valiantly. At last in one of these dips, borne by the momentum of his own strength and the force of the current, he struck his head against another of the sunken rocks. For an instant he raised it, and I could see it run red in the glare of the moonlight.
 Then he sank; from the height where I stood I could see the body roll over and over in the fierce current which made for the outmost point to the north-east of the promontory. I ran over as fast as I could, Gormala following. When I came to the rock, which here shelved, I plunged in and after a few strokes met by chance the body as it rolled upward. With a desperate effort I brought it to land.
 The struggle to lift the body from the water and to bear it up the rock exhausted me, so that when I reached the top of the cliff I had to pause for a few seconds to breathe hard. Since the poor fellow’s struggle for life had begun I had never for an instant given the prophecy a thought. But now, all at once, as I looked past the figure, lying limp before me with the poor arms twisted unnaturally and the head turned—away past the moonlit sea and the great, golden orb whose track was wrinkled over the racing tide, the full force of it burst upon me, and I felt a sort of spiritual transformation. The air seemed full of fluttering wings; sea and land alike teemed with life that I had not hitherto dreamed of. I fell in a sort of spiritual trance. But the open eyes were upon me; I feared the man was dead, but Briton-like I would not accept the conviction without effort. So I raised the body to my shoulders, determined to make with what speed I could for Whinnyfold where fire and willing hands could aid in restoration. As I laid the limp body across my shoulders, holding the two hands in my right hand to steady the burden whilst with the left I drew some of the clothing tight, I caught Gormala’s eye. She had not helped me in any possible way, though more than once in distress I had called to her. So now I said angrily:
 “Get away woman! You should be ashamed of yourself never to help at such a time,” and I took my way unaided. I did not heed at the time her answer, spoken with a certain measure of deprecation, though it afterwards came back to me:
 “Am I to wark against the Fates when They have spoken! The Dead are dead indeed when the 
Voice has whispered in their ears!”
 Now, as I passed along with the hands of the dead man in mine—the true shell of a man whose spirit could be but little space away whilst the still blood in the veins was yet warm—a strange thing began to happen. The spirits of earth and sea and air seemed to take shape to me, and all the myriad sounds of the night to have a sentient cause of utterance. As I panted and struggled on, my physical effort warring equally with the new spiritual experience so that nothing remained except sentience and memory, I could see Gormala walking abreast me with even steps.
Her eyes glared balefully with a fierce disappointment; never once did she remit the vigilant, keen look which seemed to pierce into my very soul. For a short space of time there was something of antagonism to her; but this died away imperceptibly, and I neither cared nor thought about her, except when my attention would be called to her. I was becoming wrapped in the realisation of the mightier forces around me. 

The zigzag path up the cliff to Whinnyfold

Just where the laneway from the cliff joins Whinnyfold there is a steep zigzag path running down to the stony beach far below where the fishers keep their boats and which is protected from almost the wildest seas by the great black rock—the Caudman,—which fills the middle of the little bay, leaving deep channels on either hand. When I was come to this spot, suddenly all the sounds of the night seemed to cease. The very air grew still so that the grasses did not move or rustle, and the waters of the swirling tide ceased to run in grim silence on their course. Even to that inner sense, which was so new to me that the change in everything to which it was susceptible became at once noticeable, all things stood still. It was as though the spirits of earth and air and water were holding their breath for some rare portent. Indeed I noticed as my eye ranged the surface of the sea, that the moon track was for the time no longer rippled, but lay in a broad glistening band.
 The only living thing in all the wide world was, it seemed to me, the figure of Gormala as, with lowering eyes and suspended breath, she stood watching me with uncompromising, persistent sternness. Then my own heart seemed to stand still, to be a part of the grim silence of the waiting forces of the world. I was not frightened; I was not even amazed. All seemed so thoroughly in keeping with the prevailing influence of the time that I did not feel even a moment of surprise.
 Up the steep path came a silent procession of ghostly figures, so misty of outline that through the grey green of their phantom being the rocks and moonlit sea were apparent, and even the velvet blackness of the shadows of the rocks did not lose their gloom. And yet each figure was defined so accurately that every feature, every particle of dress or accoutrement could be discerned. Even the sparkle of their eyes in that grim waste of ghostly grey was like the lambent flashes of phosphoric light in the foam of moving water cleft by a swift prow. There was no need for me to judge by the historical sequence of their attire, or by any inference of hearing; I knew in my heart that these were the ghosts of the dead who had been drowned in the waters of the Cruden Skares.
 Indeed the moments of their passing—and they were many for the line was of sickening length —became to me a lesson of the long flight of time. At the first were skin-clad savages with long, wild hair matted; then others with rude, primitive clothing. And so on in historic order men, aye, and here and there a woman, too, of many lands, whose garments were of varied cut and substance. Red-haired Vikings and black-haired Celts and Phoenicians, fair-haired Saxons and swarthy Moors in flowing robes. At first the figures, chiefly of the barbarians, were not many; but as the sad procession passed along I could see how each later year had brought its ever-growing tale of loss and disaster, and added more and faster to the grim harvest of the sea. A vast number of the phantoms had passed when there came along a great group which at once attracted my attention. They were all swarthy, and bore themselves proudly under their cuirasses and coats of mail, or their garb as fighting men of the sea. Spaniards they were, I knew from their dress, and of three centuries back. For an instant my heart leapt; these were men of the great Armada, come up from the wreck of some lost galleon or patache to visit once again the glimpses of the Moon. They were of lordly mien, with large aquiline features and haughty eyes.
 s they passed, one of them turned and looked at me. As his eyes lit on me, I saw spring into them, as though he were quick, dread, and hate, and fear. Hitherto I had been impressed, awed, by the indifference of the passing ghosts. They had looked nowhere, but with steady, silent, even tread had passed on their way. But when this one looked at me it was a glance from the spirit world which chilled me to the very soul. But he too passed on. I stood at the head of the winding path, having the dead man still on my shoulders and looking with sinking heart at the sad array of the victims of the Cruden Skares. I noticed that most who came now were seamen, with here and there a group of shoresmen and a few women amongst them. The fishermen were many, and without exception wore great sea boots. And so with what patience I could I waited for the end.

View from the path towards Cruden Bay. The Hawklaw is the hillock on the far left of the photo.

 At length it came in the shape of a dim figure of great stature, and both of whose arms hung limp. The blood from a gash on his forehead had streamed on to his golden beard, and the golden eyes looked far away. With a shudder I saw that this was the ghost of the man whose body, now less warm, lay upon my shoulders; and so I knew that Lauchlane Macleod was dead. I was relieved when I saw that he did not even look at me; though as I moved on, following the procession, he walked beside me with equal steps, stopping and moving as I stopped and moved. The silence of death was upon the little hamlet of Whinnyfold. There was not a sign of life; not a dog barked as the grim procession had moved up the steep path or now filed across the running stream and moved along the footpath toward Cruden. Gormala with eager eyes kept watching me; and as the minutes wore on I began to resume my double action of thought, for I could see in her face that she was trying to reason out from my own expression something of what I was looking at. As we moved along she now began to make suggestions to me in a fierce whisper, evidently hoping that she might learn something from my acquiescence in, or negation of, her thought. Through that ghostly silence her living voice cut with the harshness of a corncrake.
 “Shearing the silence of the night with ragged edge.”
 Perhaps it was for the best; looking back now on that awful experience, I know that no man can say what his mind may suffer in the aftertime who walks alone with the Dead. That I was strung to some amazing pitch was manifested by the fact that I did not seem to feel the great weight which lay upon my shoulders. I have naturally vast strength and the athletic training of my youth had developed it highly. But the weight of an ordinary man is much to hold or carry for even a short time, and the body which I bore was almost that of a giant.
 The path across the neck of land which makes the Skares a promontory is flat, with here and there a deep cleft like a miniature ravine where the water from the upland rushes in flood time down to the sea. All these rills were now running strong, but I could hear no sound of murmuring water, no splash as the streams leapt over the edge of the cliff on the rocks below in whitening spray. The ghostly procession did not pause at any of these streams, but moved on impassively to the farther side where the path trends down to the sands of Cruden Bay. Gormala stood a moment watching my eyes as they swept the long line passing the angle so that I could see them all at once. That she guessed something was evident from her speech:
“They are many; his eyes range wide!” I started, and she knew that she had guessed alright.
This one guess seemed to supply her with illimitable data; she evidently knew something of the spirit world, though she could not see into its mysteries. Her next words brought enlightenment to me:
 “They are human spirits; they follow the path that the feet o’ men hae made!”
 It was so. The procession did not float over the surface of field or sand, but took its painful way down the zigzag of the cliff and over the rocky path through the great boulders of the foreshore. When the head of it reached the sand, it passed along the summit of the ridge, just as every Sunday night the fishermen of Whinnyfold and Collieston did in returning to their herring boats at Peterhead.

The sands of Cruden Bay beach.

 The tramp across the sands was long and dreary. Often as I had taken that walk in rain or storm, with the wind almost sweeping me off my feet whilst the sand drift from the bent-covered hills almost cut my cheeks and ears, I had never felt the way to be so long or so hard to travel. Though I did not realise it at the time, the dead man’s weight was beginning to tell sorely upon me. Across the Bay I could see the few lights in the village of Port Erroll that were to be seen at such a time of night; and far over the water came the cold grey light which is the sign of the waning of the night rather than of the coming of the morning. When we came to the Hawklaw, the head of the procession turned inward through the sandhills. Gormala, watching my eyes, saw it and an extraordinary change came over her. For an instant she was as if stricken, and stood stock still. Then she raised her hands in wonder, and said in an awed whisper:
 “The Holy Well! They gang to St. Olaf’s well! The Lammas floods will aye serve them weel.”
 With an instinct of curiosity strong upon me I hurried on so as to head the procession. As I moved along the rough path amongst the sandhills I felt the weight of the burden on my shoulders grow heavier and heavier, so that my feet dragged as do the feet of one in a nightmare. As I moved on, I looked round instinctively and saw that the shade of Lauchlane Macleod no longer kept pace with me, but retained its place in the procession. Gormala’s evil eye was once more upon me, but with her diabolical cunning she guessed the secret of my looking round. She moved along, not with me but at the rate she had been going as though she liked or expected to remain in juxtaposition to the shade of the dead man; some purpose of her own was to be fulfilled.  

St Olaf's well. 

As I pressed on, the shades around me seemed to grow dimmer and dimmer still; till at the last I could see little more than a film or haze. When I came to St. Olaf’s well—then merely a rough pool at the base of the high land that stretches back from the Hawklaw—the ghostly mist was beginning to fade into the water. I stood hard by, and the weight upon my shoulders became dreadful. I could hardly stand; I determined, however, to hold on as long as I could and see what would happen. The dead man, too, was becoming colder! I did not know whether the dimming of the shadows was from this cause, or because the spirit of the man was farther away. It was possibly both, for as the silent, sad procession came on I could see more distinctly. When the wraith of the Spaniard turned and looked at me, he seemed once more to look with living eyes from a living soul. Then there was a dreary wait whilst the rest came along and passed in awesome stillness down into the well and disappeared. The weight upon my shoulders now became momentarily more intolerable. At last I could bear it no longer, and half bending I allowed the body to slip to the ground, I only holding the hands to steady the descent. Gormala was now opposite to me, and seeing what I had done leaped towards me with a loud cry. For one dim moment the wraith of the dead man stood above its earthly shell; and then I saw the ghostly vision no more.

At that instant, just as Gormala was about to touch the dead body, there was a loud hiss and murmur of waters. The whole pool burst up in a great fountain, scattering sand and water around for a wide space. I rushed back; Gormala did the same. Then the waters receded again, and when I looked, the corpse of Lauchlane Macleod was gone.
 It was swallowed up in the Holy Well.
 Overcome with physical weariness and strange horror of the scene I sank down on the wet sand. The scene whirled round me.... I remember no more."

Bram Stoker The Mystery of the Sea 1902. 


A pdf download of the book has been made available by the Bram Stoker Family Estate. It can be download here:

http://www.bramstoker.org/novels/07sea.html




Sunday 24 September 2017


BRAM STOKER’S FIRST CRUDEN BAY NOVEL – THE WATTER’S MOU’



Bram Stoker wrote two novels based in Cruden Bay. The first of these was The Watter’s Mou’ which was published in 1895, two years before Dracula came out in 1897.

The plot concerns a conflict of duty between the local coastguard Sailor Willie and his lover Maggie McWhirter, the daughter of a fisherman in the village. Maggie’s father is involved in smuggling and her lover has a duty as a coastguard to stop it. Sailor Willie is invited to a wedding held at the grain store essentially to get him out of the way while the smuggled goods are brought into Port Erroll harbour. He rumbles this scheme and returns to his coastguard hut to keep watch. Maggie meets him nearby and pleads with him to let this one go, but no he can’t. She then takes a great risk sailing out during a rising storm from the Watter’s Mou, a coastal inlet near Slains Castle (see the photo above).  She intercepts the boat and warns her father that the smuggling run has been discovered. On returning to the Watter’s Mou’ the boat is wrecked and Maggie drowns. Sailor Willie discovers her body and he too is drowned while attempting to recover it.

What’s curious about the novel is that it’s mostly written in the local Aberdeenshire dialect, commonly known as the Doric dialect. It can be difficult for outsiders to understand the Doric due to its numerous dialect words and the vowels are often shifted in normal English words, none becomes nane for instance. The wh syllable at the start of a word is replaced with f. For instance, the word who becomes fa in Doric.

Another curiosity is that Bram Stoker uses real places and real people in the novel. So I'll show some photographs of the places he mentions.

The Grain Store where the wedding took place and now the local garage. 

What's left of the Coastguard hut on Ward Hill. 

The road leading to Port Erroll harbour. The Rocket House (on the left) and the Salmon Station (on the right) are also mentioned in the novel. 

The Water of Cruden estuary and a view of the old part of Cruden Bay.
The Bram Stoker estate has published Bram Stoker's novels online. The Watter's Mou can be read here:

http://www.bramstoker.org/novels/03mou.html


Sunday 17 September 2017


DRACULA ON THE BEACH
Cruden Bay beach
Bram Stoker wrote a large part of his novel Dracula  in the village of Cruden Bay (then called Port Erroll). The Irish author wrote part-time and his annual visits to the Scottish village were when he did most of his writing. The novel was written in the years 1895 and 1896, although it had been about five years in the planning.  
This week’s blog traces the unlikely connection between Dracula and Cruden Bay beach. Bram Stoker walked along the two-mile long beach every morning before breakfast during his summer visits. One of the local residents described his walking gear as a tweed suit, a round beret and a stout stick.
It may have been when he was writing Dracula that he noticed something unusual about the beach. Here’s his description from his 1902 novel The Mystery of the Sea: ‘If Cruden Bay is to be taken figuratively as a mouth, with the sand hills for soft palate, and the green Hawklaw as the tongue, the rocks which work the extremities are its teeth.’
As a local resident living in near Cruden Bay beach I look at the same scene and see the rocky headlands bordering the beach on either side as arms reaching out to embrace the sea. But of course it’s the author of Dracula who wrote the above.
Cruden Bay beach and its 'teeth' - looking north and looking south.

He also described some of the rocks in the bay as resembling ‘fangs’ and it’s an apt description. One rock with the rather odd name of Craig Headock is particularly fang-like.


He may have been inspired to write a famous scene in Dracula from something he saw on Cruden Bay beach. Jonathan Harker is in Castle Dracula and receives a visit from three vampire sisters who get a bit too close for comfort.  How they arrive is described in the novel:
‘Something made me start up, a low, piteous howling of dogs somewhere far below in the valley, which was hidden from my sight. Louder it seemed to ring in my ears, and the floating moats of dust to take new shapes to the sound as they danced in the moonlight... Quicker and quicker danced the dust. The moonbeams seemed to quiver as they went by me into the mass of gloom beyond. More and more they gathered till they seemed to take dim phantom shapes... The phantom shapes, which were becoming gradually materialised from the moonbeams, were those three ghostly women to whom I was doomed.’
Now here’s what happens on windy days, a phenomenon called sand-devils comes about when the dry sand from the high-tide mark blows over the darker-coloured wet sand close to the sea. Snake-like and spooky they are!



Here's some more photos of the beach. You can see why Bram Stoker came back to Cruden Bay every year. 




Sunday 10 September 2017


BRAM STOKER AND SLAINS CASTLE



Bram Stoker wrote large parts of Dracula in the Scottish village of Cruden Bay. Now it just so happens that Cruden Bay can boast a gothic-looking castle that looks the part. This is Slains Castle, located in a dramatic cliff-top setting overlooking the North Sea. The connection has led to many uninformed comments that Slains Castle inspired Dracula. It didn’t.
Bram Stoker’s notes for Dracula have survived and the earliest are dated from 1890.[1] The plot is outlined in the notes and already at this stage the author has identified a castle location as part of the story. He was planning a gothic horror story and a castle is almost obligatory in these tales; it was castle in the abstract and I would bet he didn’t have any specific castle in mind. This was three years before he ever set foot in Cruden Bay.

Nevertheless, it took years for Bram Stoker to get around to actually writing his famous novel and when he did he was in Cruden Bay. It’s no coincidence, I would argue, that the description of Castle Dracula in the novel resembles parts of the floor plan of Slains Castle. As pointed out by Margaret Aitken, the small octagonal room in the castle turns up in the novel.
Compare these two descriptions:
Bram Stoker, Dracula, 1897:  ‘The Count halted, putting down my bags, closed the door, and crossing the room, opened another door which led into a small octagonal room lit by a single lamp, and seemingly without a window of any sort.’
The 1922 sales document for Slains Castle: ‘On the Principle Floor: Entrance Hall (heated with stove) leading to Central Octagonal Interior Hall (heated with stove and lighted from above)...’
Slains Castle is now ruined (it wasn’t in Bram Stoker’s day) although the octagonal room has survived.
The Octagonal room in Slains Castle.

Bram Stoker was obviously impressed with Slains Castle as it appears in no less than six of his novels either as the castle itself (twice) or in disguised form. For instance, here is the description of Kyllion, the mansion where a spirit of ancient Egypt is revived in The Jewel of Seven Stars, the novel that inspired all the mummy movies: ‘A great grey stone mansion of the Jacobean period; vast and spacious, standing high over the sea on the very verge of a high cliff.’ And like Slains Castle, one could hear, ‘the crash and murmur of waves breaking against rock far below...’ No prizes for guessing this novel was also written in Cruden Bay.
The great shame is that nothing is being done with Slains Castle. There are plans to turn it into holiday homes but nothing has come to fruition yet. Meanwhile, it’s not even listed as a site of historical interest. Some obvious tourism potential exists here, especially when you see what has been done to promote the Bram Stoker connection in Whitby, not to mention Transylvania.



Slains Castle in its gorgeous setting  is highly photogenic as you can see....







[1] Bram Stoker’s Notes for Dracula A Facsimile Edition Bram Stoker, annotated and Transcribed by Robert Eighteen-Bisang and Elizabeth Miller. McFarland & Company. Jefferson, North Carolina and London.

Sunday 3 September 2017

1. ‘When first I saw the place I fell in love with it’



Bram Stoker wrote a large part of Dracula in my home village of Cruden Bay. It’s located on the coast of Aberdeenshire in Scotland facing the North Sea. Bram was for most of his life a part-time author; his main job was as business manager for the Lyceum Theatre in London. From 1893 he would spend a month in the village every summer and would do so most years up until 1910. Most of his books were written in Cruden Bay.

I’m fascinated by the local association with Cruden Bay and I’ve been researching his time here for a book of my own. The blog will focus mostly on photographs, more details will be found in my book if and when it gets published.

Bram Stoker’s Cruden Bay is recognisable today - most of the buildings he knew are still around. The village was known as Port Erroll back then only becoming Cruden Bay in 1923. It was primarily a fishing village with about 300 out of the 500 inhabitants involved in fishing.

Fishing boat near Port Erroll Harbour.

Port Erroll in 1896 as Bram Stoker would have recognised it.

A similar view from a recent photograph. 


Bram Stoker came for the coastal scenery. He walked across Cruden Bay beach every morning before breakfast. His visits to the village gave him a regular slot to devote to his writing. And if there were any problems he could head off for a walk along the coast to think things over.







Cruden Bay beach


No wonder that Bram Stoker wrote in one of his novels based in Cruden Bay: ‘When first I saw the place I fell in love with it.’